Fighting for the Dunghill, or, Jack Tar Setting Buonaparte by James Gillray

Fighting for the Dunghill, or, Jack Tar Setting Buonaparte

James Gillray

Fine art poster

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  • 280gsm thick fine art print paper
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    • x cm excluding border ( x in)
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We use a 280gsm fine art paper and premium branded inks to create the perfect reproduction.

Our expertise and use of high-quality materials means that our print colours are independently verified to last between 100 and 200 years.

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Manufactured in the UK

All products are printed in the UK, using the latest digital presses and a giclée printmaking process.

We only use premium branded inks, and colours are independently verified to last between 100 and 200 years.

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We print everything to order so delivery times may vary but all unframed prints are despatched within 2-4 days via courier or recorded mail.

Delivery to the UK is £5 for an unframed print of any size.

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Fighting for the Dunghill, or, Jack Tar Setting Buonaparte by James Gillray zoom

Fighting for the Dunghill, or, Jack Tar Setting Buonaparte

This is the earliest of Gillray's portrayals of Bonaparte as the symbolic personification of France. Here he is caricatured in a manner deriving from earlier 18th century lampoons against the French, particularly by Hogarth, in being shown semi-naked and emaciated. Gillray also plays upon Bonaparte's Corsican roots, notably in the Italian spelling of his name in the title. Seated atop a globe, he is being knocked down and has his nose bloodied by a stout British tar with the profile features of George III. It is a simple but effective piece of propaganda, casting France with the dark, benighted side of the globe, and Britain with the bringing of light. At the same time, the fusion of the King with Jack Tar is a brilliant means of suggesting a national unity between the upper and lower orders that was, at this time, far from being the case.
James Gillray

Original size: 220 mm x 287 mm

  • Image reference: PU4792

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