Product images of Moulmein [Burma] from one of the Pagodas on the hill behind the town, early morning, Feby 1846
We use a 280gsm fine art paper and premium branded inks to create the perfect reproduction.
Our expertise and use of high-quality materials means that our print colours are independently verified to last between 100 and 200 years.
Read more about our fine art prints.
Manufactured in the UK
All products are printed in the UK, using the latest digital presses and a giclée printmaking process.
We only use premium branded inks, and colours are independently verified to last between 100 and 200 years.
Moulmein [Burma] from one of the Pagodas on the hill behind the town, early morning, Feby 1846
Mounted in album with PAI4673-PAI4706, PAI4708-PAI4716.; No.35. No. 35 in Fanshawe's Baltic and later album, 1843-1883. Fold-out panoramic drawing on two joined sheets, the right one stuck down on the album page, which is captioned by the artist below the image, as title. Fanshawe, in command of the 'Cruizer', arrived from Trincomalee (Sri Lanka) at Moulmein, Burma, in mid -December 1845 and remained there until sailing for Madras on 10 April 1846. He noted that 'I never was at any place possessing less of continued interest....' (Fanshawe  p. 143), though he gave a good account of what he did see in his journal and letters. On 22 December he told his mother: 'The country is pretty here, and singular in appearance from the number of pagodas perched on the hills. They are shaped like the bottom of peg-tops inverted [toy whipping tops] and are built solid, the gods being stowed in sheds close by. They are in honour of the Buddhist religion, which is that of the Burmese. The houses are built entirely of teak wood, and are raised from the ground on poles, like the Malay houses. The teak wood is the principal article of trade; there are large forests of it inland, and the timber is floated down the river to Moulmein in large rafts. One of my duties is to purchase 400 tons of it for the Government for the use of Trincomalee. Everything is so quiet there is little for me to do....' (p.147). This drawing may be one of many he did to fill the time but is the only one from his Eastern posting that is included in his albums: it is also the earliest, since apart from a few drawings done in Britain in 1843, the rest date from 1849 on. It is apparently a view from about south or south-east of the town, of which the waterfront can be seen on the Gyaing River in the left middle ground, with the river heading east and north towards the Andaman Sea, out of frame to the left. Even if not quite so, 'inland' is to the right. Fanshawe's 1904 biography includes photographs of two other drawings done in the East, one of an 'Action with pirates, Borneo, 1845' (f.p.120) and another of Trincomalee in the same year (f. p. 142). The whereabouts of these, and probably many others from his earlier career is not known, or if they survive.
Edward Gennys Fanshawe
Original size: 176 mm x 530 mm
- Image reference: PZ4707
- National Maritime Museum, Greenwich, London