Passenger/cargo vessel
Image information
Sizing information
| Overall size (inc frame) | x cm ( x in) |
| Depth | cm (in) |
| Artwork | x cm ( x in) |
| Border (mount) |
cm
top/bottom
(in)
cm left/right (in) |
| The paper size of our wall art shipped from the US is sized to the nearest inch. | |
Passenger/cargo vessel
Scale: Unknown. A waterline model of a passenger/cargo vessel. The hull is painted black with a light brown boot topping along the waterline whilst the decks, upperworks and accommodation are painted a creamy white. The foredeck is fitted with a single mast rigged with a pair of cargo derricks serving a pair of large grey covered cargo hatches. The upper decks are fitted with five pairs of lifeboats rigged to davits running either side of a tall, oval-shaped funnel painted a buff yellow with a black top. At the stern, there is another mast rigged with four cargo derricks, and a pair of smaller cargo masts with derricks, all of which serve three grey covered cargo hatches. The number "148" is written on the underside of the hull.
Reginald Carpenter
Original size: 42 mm x 150 mm x 20 mm
- Image reference: L1830
- National Maritime Museum, Greenwich, London
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We use a 240gsm fine art paper and premium branded inks to create the perfect reproduction.
Our expertise and use of high-quality materials means that our print colours are independently verified to last between 100 and 200 years.
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Manufactured in the UK
All products are printed in the UK, using the latest digital presses and a giclée printmaking process.
We only use premium branded inks, and colours are independently verified to last between 100 and 200 years.
Delivery & returns
We print everything to order so delivery times may vary but all unframed prints are despatched within 2-4 days via courier or recorded mail.
Due to the coronovirus pandemic and Brexit situation, current shipping times may be longer, particularly for destinations outside the UK.
Delivery to the UK is £5 for an unframed print of any size.
We will happily replace your order if everything isn’t 100% perfect.
