The banks of the Nile with a large gyassi passing by by Edward Lear

The banks of the Nile with a large gyassi passing by

Edward Lear

Framed picture

More products…
  • Premium wooden frame with a thick bevel-cut mount
  • Fully strung, ready-to-hang
  • 100+ year colour guarantee
  • Dimensions:
    • by cm overall size ( by in)
    • by cm artwork size ( by in)
£79.95

Image information

Add to wishlist
Close

Sizing information

Dimensions
Overall size (inc frame) x cm ( x in)
Depth cm (in)
Artwork x cm ( x in)
Border (mount) cm top/bottom (in)
cm left/right (in)
The paper size of our wall art shipped from the US is sized to the nearest inch.
Nelson was 5ft4in or 1.62m
Nelson was 5'4" (1.62m)

The banks of the Nile with a large gyassi passing by

This watercolour by Edward Lear shows the banks of the Nile with a large gyassi passing a low, square and possibly ancient building amongst palm trees on the right.
Edward Lear

Original size: 66 mm x 155 mm

  • Image reference: PU9100

Discover more

More by this artist

Edward Lear

Search for similar images

Our framed prints

Every framed picture is created by hand in our workshop by specialist framers.

Black, white, brown, silver, gold or natural frames available, supplied ready to hang.

All our frames have a smooth satin finish, and measure 20mm (front face) by 23mm (depth from wall).

Read more about our framed art prints.

Manufactured in the UK

All products are printed in the UK, using the latest digital presses and a giclée printmaking process.

We only use premium branded inks, and colours are independently verified to last between 100 and 200 years.

Delivery & returns

We print everything to order so delivery times may vary but all framed pictures are despatched within 5-7 days via courier or recorded mail.

Due to the coronovirus pandemic and Brexit situation, current shipping times may be longer, particularly for destinations outside the UK.

Delivery to the UK is £10 for a single framed print.

We will happily replace your order if everything isn’t 100% perfect.