The Submarine Series: The Ward (mess) Room
Image information
Sizing information
| Overall size (inc frame) | x cm ( x in) |
| Depth | cm (in) |
| Artwork | x cm ( x in) |
| Border (mount) |
cm
top/bottom
(in)
cm left/right (in) |
| The paper size of our wall art shipped from the US is sized to the nearest inch. | |
The Submarine Series: The Ward (mess) Room
In 1940 Ravilious became one of the first official war artists. During the summer he was at HMS 'Dolphin' at Gosport drawing the interiors of submarines, sometimes at sea. He had already conceived the idea of a set of submarine lithographs intended as a children's painting book, and in November he set to work. The drawings inevitably lack the distinctive texture and colour of the lithographs, but convey something of the claustrophobic qualities of life on board a submarine.
Eric Ravilious
Original size: 332 mm x 348 mm
- Image reference: PU8092
- National Maritime Museum, Greenwich, London
Discover more
More by this artist
Explore the collection
Search for similar images
Product images of The Submarine Series: The Ward (mess) Room
Our framed prints
Every framed picture is created by hand in our workshop by specialist framers.
Black, white, brown, silver, gold or natural frames available, supplied ready to hang.
All our frames have a smooth satin finish, and measure 20mm (front face) by 23mm (depth from wall).
Read more about our framed art prints.
Manufactured in the UK
All products are printed in the UK, using the latest digital presses and a giclée printmaking process.
We only use premium branded inks, and colours are independently verified to last between 100 and 200 years.
Delivery & returns
We print everything to order so delivery times may vary but all framed pictures are despatched within 5-7 days via courier or recorded mail.
Due to the coronovirus pandemic and Brexit situation, current shipping times may be longer, particularly for destinations outside the UK.
Delivery to the UK is £10 for a single framed print.
We will happily replace your order if everything isn’t 100% perfect.
