Sizing information
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| Depth | cm (in) |
| Artwork | x cm ( x in) |
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Slave on deck
In this image an enslaved African in chains stands on the deck of a ship holding a dagger in his hand as if about to kill himself. Although initialled on the back and dated 1801, the image first appeared as an engraving in the 1793 edition of Thomas Day's anti-slavery poem 'The Dying Negro' (1773). This is a strikingly unusual representation of an African for this period. In many depictions during the abolitionist era, Africans were shown as kneeling, pleading or praying. Alternatively, they were caricatured in often grotesque ways. Here, however, the African is portrayed in a defiant pose, presumably contemplating suicide rather than captivity. The unconcern of the crew behind him, the other cargo, inkpot and bill of lading (perhaps) all suggest his status as another 'trade' commodity. Moreover, the broad arrow on the crate, lower left, and the guns suggest the vessel has some British government connection.
George Cooke
- Image reference: E9897
- National Maritime Museum, Greenwich, London, Michael Graham-Stewart Slavery Collection. Acquired with the assistance of the Heritage Lottery Fund
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Every framed picture is created by hand in our workshop by specialist framers.
Black, white, brown, silver, gold or natural frames available, supplied ready to hang.
All our frames have a smooth satin finish, and measure 20mm (front face) by 23mm (depth from wall).
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All products are printed in the UK, using the latest digital presses and a giclée printmaking process.
We only use premium branded inks, and colours are independently verified to last between 100 and 200 years.
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We print everything to order so delivery times may vary but all framed pictures are despatched within 5-7 days via courier or recorded mail.
Due to the coronovirus pandemic and Brexit situation, current shipping times may be longer, particularly for destinations outside the UK.
Delivery to the UK is £10 for a single framed print.
We will happily replace your order if everything isn’t 100% perfect.
